![]() To renew, you will have to activate a new pass by visiting /GroupPass while on campus. Note: Site passes will expire after 365 days. You will receive another confirmation email.Select Register and complete registration fields.Complete steps 1 & 2, then navigate to.Register for a New York Times inEducation account.If you can’t sign in, wait a few minutes and try again. Registration may take a few minutes to process.Once registered, users may access and NYT mobile apps from any location on any web-enabled device.Select Create Account and complete registration fields.To access to content, you need to register for both an NYT account and an NYT inEducation account. Liz Robbins - “Truth and Immigration: Reporting on the Most Volatile Topic in the US Today".As CCC Employees, you now have access to the NYT and NYTinEducation! Students do not have this access but can access content from the New York Times through our databases. 2020 KeynoteĬaitlin Dickerson - "Beyond the Border: Immigration History, Policy and Identity".Ĭheck out pictures of the 2020 keynote. Once registered, you can use your login to access the New York Times from or the New York Times mobile application. 2021 KeynoteĬhristopher Flavelle - "Miami on the Front Lines of Climate Change". New York Times Senior Staff Editor Maya Salam ended her dynamic presentation with a call to action, asking future journalists to work to ensure that the stories that are told, and the people who tell them, demonstrate the true diversity of thought and culture that the world of journalism can and should bring to the world. on Log-in required click here to sign into your library-card account. Maya Salam - “Culture Through the Lens of Gender and Diversity” is a constantly-updated news portal produced by The New York Times. *Library Systems is aware the FIU Community members that are both student and staff have trouble accessing the LibTube system this video is hosted on. 2023 KeynoteĪlisha Haridasani Gupta - "The Secret Sauce of Revolutions" New York Time s reporter, Alisha Haridasani Gupta explores the historic impact of women on revolutions around the world. The New York Times Speakers Series is an annual event hosted by the Office of Global Learning Initiatives to provide an opportunity for students, faculty, staff and community members to attend a keynote lecture given by a New York Times journalist. Be sure to use your fiu.edu email address.Īccess does not include e-reader editions, digital crossword puzzles, or Times Insider Content. Gaining access Members of the Tufts community can access a pass for online access to the New York Times while on campus or off-campus. To gain entry to the education site (whether faculty, staff, or student), simply complete a short registration. How to create an account to access the New York Times using the Tufts academic pass. Co-curricular activities including events, discussions, and contests.General instructional strategies to promote student achievement.New York Times in educationįIU students, faculty and staff also have access to the New York Times education resource website, which provides the following features: That’s it! Once a pass is activated, you can access the New York Times from any location through December 31st of the graduation year you used when you registered. Create a account using your institutional email – or use your pre-existing profile.Log in with your institutional credentials.Navigate to your institution’s sign in page.Log in with an existing fiu.edu credentials.If you are connected to FIU's Secure Wifi on campus: This digital access - available to every FIU community member daily - has replaced the limited number of paper copies that were previously available on campus. FIU is proud to provide complimentary access to New York Times to students, faculty and staff.
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![]() This forces players into the center of the ZPD and gives them an appropriate level of challenge. This system works by presenting more specific instructions to narrow the search space, making it easier to find educational content, and, conversely, presenting less specific/generic instructions, making it more challenging to find educational content. For optimal learning performance, players should remain within the Zone of Proximal Development (ZPD).īased on the findings of navigation playing an important role in cognitive load and ZPD, an adaptive system is presented that makes use of textual specificity. Cognitive overload and underload can both hinder learning. This is endorsed by the cognitive load theory, the amount of available memory available for cognitive data processing. It helped show that removing the cognitive burden of navigation can improve learning but can also result in a less positive gaming experience. Due to the node-based movement and information-searching tasks present in many VR serious games this proved to be a new useful game analytic. Originally from the domain of hypertext, this measure is used to measure navigational efficiency in an information-searching task. The lostness measure was identified to evaluate player performance in VR serious games. To ensure that optimal learning occurs, this thesis beings by detailing a technique to ensure that the in-game story matches the gameplay, before evaluating how to assist players in VR serious games. To enable optimal learning from VR serious games, it must be investigated how to effectively develop these games to catalyze learning. As such, it could be argued that, currently, the benefit of using this technology is not worth the additional cost. ![]() When it comes to story-based information, there are conflicting results, with some research finding better learning performance, no difference, or even worse learning performance. However, the expected benefits of VR have not been fully proven, only showing that there are advantages when it comes to spatial information and a better in-game experience in the form of greater presence, improved engagement (van den Broek, 2012), and higher cognitive interest. read more (i.e., players feeling being physically present in the game, engagement (i.e., heightened concentration, interest, involvement, and enjoyment), and cognitive interest (i.e., understanding topics and becoming more interested), which have all been linked to increased learning. The benefits of VR and serious games for teaching are increased presence. Virtual Reality (VR), presented in many sci-fi movies and series such as Ready Player One and Star Trek, is often hoped to revolutionize training and teaching as it offers more immersion in the experience than any other medium. ![]() ![]() From 1825 to 1826, he served in John Quincy Adams' administration as ambassador to Britain, but ill health forced him to retire from public life, and he died in 1827. He served as a U.S.senator and as minister to Great Britain. King again served in the Senate from 1813 to 1825, and he became the Federalists' last presidential candidate when he ran in 1816. Illustrated by Jan Kotowicz, this poster is part of a series of 27 neighborhood posters that were originally published by the. Rufus King (1755-1827), American statesman and an important member of the Constitutional Convention of 1787, typified the constructive conservativism of the Federalist party at its best. In 18, he served as the Federalist vice-presidential candidate, and he ran for president in 1812, obtaining the votes of those few Federalists who did not vote for DeWitt Clinton during the election. In 1789, he was elected to represent New York in the US Senate, serving until 1796 from 1796 to 1803, he was ambassador to Great Britain. After the convention, he returned to Massachusetts and contributed to the state's ratification of the US Constitution, and Alexander Hamilton persuaded him to abandon his law practice and move to New York City to enter Federalist Party politics. King was assigned to Continental Congress and the Constitutional. At the 1787 Philadelphia Convention, he emerged as a leading nationalist, and he called for increased powers for the federal government. Rufus King was an American lawyer who was also a renowned politician and diplomat. King studied law before joining the patriot militia during the American Revolutionary War, winning election to the Massachusetts General Court in 1783 and to the Congress of the Confederation the following year. New-York Historical Society 170 Central Park West New York, NY 10024 (212) 873-3400. United States presidential election of 1816, American presidential election held in 1816, in which Democratic-Republican James Monroe defeated Federalist Rufus King with 183 electoral votes to King’s 34. Rufus King was born in Scarborough, Massachusetts (now a part of Maine) on 24 March 1755, the son of a prosperous merchant. Discover what it would be like to live in the Rufus King neighborhood of Milwaukee, WI straight from people who live here. Guide to the Rufus King Papers 1766-1899 (Bulk 1783-1826) MS 1660. Rufus King (24 March 1755 – 29 April 1827) was a US Senator from New York from 16 July 1789 to, preceding John Laurance, and again from 4 March 1813 to 4 March 1825, succeeding John Smith and preceding Nathan Sanford. ![]() Meggie takes Luke to court for custody of Dane. Meggie decides she can never return to Luke, but Luke declares he only returned for Dane, whom he thinks is his son. When Meggie resists, Luke strikes her, causing her to miscarry. Luke demands Meggie move with him immediately to a ramshackle cabin on the farm he purchased, just to get Meggie away from Ralph. After Ralph uses some of Mary Carson's estate money to send a young orphan to America, the church "punishes" him by forcing him to return to Drogheda to guard the church's bequeathed property and to convince the Australian government to accept more refugees.įather Ralph arrives in Australia unannounced and Luke is not pleased to see him. He has been using his church in Rome as a haven for Jewish war refugees. Meggie, lonely, in need of a man to run the ranch and to be a father for her children, reluctantly takes Luke back, and she becomes pregnant once again.įather Ralph de Bricassart ( Richard Chamberlain) decides to become a full-time priest to fulfill his deep love for God. One day, Meggie's estranged husband, Luke, arrives on Drogheda and begs forgiveness. To make matters worse, a two-year drought has struck the area. It is ten years after the birth of Dane, and Meghann "Meggie" O'Neill (Amanda Donohoe) is forced to run Drogheda basically on her own, since all her brothers went off to fight in World War II. ![]() These years are unaccounted for in both the original 1983 ABC miniseries and the novel. Adapted from the 1977 novel The Thorn Birds by Colleen McCullough, it tells the story of the nineteen years between Dane's birth and Ralph's return to Australia. The Thorn Birds: The Missing Years is a 1996 CBS miniseries directed by Kevin James Dobson. ![]() □ Open the link by using Chrome ( it works for mac and windows ) : or □ block unwanted ads and pop up ads by using this adblock will help you download my content Simply drag and drop the effects onto the timeline. Add highlights, animation, titles, transitions and more. Give videos polish with professional video editor effects. Then, instantly preview inside the video editor. Combine or split clips, trim, and speed up or slow down footage. A simple timeline makes editing video easy. Or, add video, images, audio, and PowerPoint presentations that you already have. Record anything - your whole screen or just a window. All-inclusive premium services availableĬamtasia makes it easy to record your screen and create polished, professional-looking videos.ID Theft Guard reveals passwords exposed in a data breach.Many security, privacy, and performance features.□ For everyone who can't install TechSmith Camtasia on Mac and to overcome applications errors you should first Clean your Mac Before you Install it. □ Clean first your mac before installing TechSmith Camtasia To avoid errors like system compatibility report or error code 195 or quit unexpectedly of adobe products & more follow those instructions.Īttention □ ! Before you start install process you should first install Adobe Flash Player 2022 ✅ Latest version to do not face any future issues while using TechSmith Camtasia also to accelerate rendering. Once launched, the application is capable of capturing any part of the screen (or all at once) after recording what is happening on the desktop into a video file in the quality and format you need, you can download Camtasia Studio below. Operating System: Microsoft Windows 7 sp1, Windows 8.TechSmith Camtasia 2022.0.2 Build 38524 Crack For Windows & MacOS TechSmith Camtasia reviewĪ powerful program that allows everyone to create at the professional level any type of presentation or just a training video.Smart focus automatically enlarges the image Automatically add subtitles and titles.Support exporting video in WMV, AVI, MPEG-2, MPEG-4 and Adobe Flash formats. ![]() Use PowerPoint to record presentations.Integrated online video sharing function.Wait for the installation to be completed, then you open it up and enjoy the results.Next, you choose English language and then click Next The system will choose the installation directory for you to leave it as is and then click Install.Then it appears this you uncheck install as homepage. ![]()
![]() AnyDVD HD optionally disables RPC region codes, thereby making the movie region free and comfortably viewable on any DVD/Blu-ray player and with any DVD/Blu-ray playback software.ĪnyDVD HD is capable of disabling unwanted movie features such as forced subtitles, forced delays, and no-skip marks, giving you full control over your movie experience. ![]() The DVD/Blu-ray will become useable to your windows operating system and all programs on your computer, such as DVD/Blu-ray backup software like CloneDVD, CloneBD and others, then supporting any DVD or Blu-ray. If (-not (Get-Command choco.AnyDVD HD is a Windows based application that removes restrictions of DVD and Blu-ray media automatically in the background.ĪnyDVD HD works in the background to automatically and transparently enable read access of the contents of a movie DVD or Blu-ray as soon as it's inserted into the drive. zip to the filename to handle archive cmdlet limitations # Ensure Chocolatey is installed from your internal repository ![]() # $Chocolate圜entralManagementServiceSalt = "servicesalt" # $Chocolate圜entralManagementClientSalt = "clientsalt" # $Chocolate圜entralManagementUrl = " # ii. # If using CCM to manage Chocolatey, add the following: $ChocolateyDownloadUrl = "$($NugetRepositoryUrl.TrimEnd('/'))/package/chocolatey.2.2.2.nupkg" # This url should result in an immediate download when you navigate to it # $RequestArguments.Credential = $NugetRepositor圜redential ![]() # ("password" | ConvertTo-SecureString -AsPlainText -Force) # If required, add the repository access credential here $NugetRepositoryUrl = "INTERNAL REPO URL" # Should be similar to what you see when you browse Your internal repository url (the main one). # We use this variable for future REST calls. ::SecurityProtocol = ::SecurityProtocol -bor 3072 # installed (.NET 4.5 is an in-place upgrade). NET 4.0, even though they are addressable if. # Use integers because the enumeration value for TLS 1.2 won't exist # Set TLS 1.2 (3072) as that is the minimum required by various up-to-date repositories. # We initialize a few things that are needed by this script - there are no other requirements. # You need to have downloaded the Chocolatey package as well. Download Chocolatey Package and Put on Internal Repository # # repositories and types from one server installation. # are repository servers and will give you the ability to manage multiple # Chocolatey Software recommends Nexus, Artifactory Pro, or ProGet as they # generally really quick to set up and there are quite a few options. # You'll need an internal/private cloud repository you can use. Internal/Private Cloud Repository Set Up # # Here are the requirements necessary to ensure this is successful. Your use of the packages on this site means you understand they are not supported or guaranteed in any way. With any edition of Chocolatey (including the free open source edition), you can host your own packages and cache or internalize existing community packages. Packages offered here are subject to distribution rights, which means they may need to reach out further to the internet to the official locations to download files at runtime.įortunately, distribution rights do not apply for internal use. If you are an organization using Chocolatey, we want your experience to be fully reliable.ĭue to the nature of this publicly offered repository, reliability cannot be guaranteed. Human moderators who give final review and sign off.Security, consistency, and quality checking.ModerationĮvery version of each package undergoes a rigorous moderation process before it goes live that typically includes: Welcome to the Chocolatey Community Package Repository! The packages found in this section of the site are provided, maintained, and moderated by the community. ![]() However, we deploy our servers on Linux, which requires a build generated on Linux itself. This is useful for normal feature development. We develop our code on Windows and have a Windows version of our servers that can run under Windows. Let me provide a little background about our build. If you are building with CMake, then you can also leverage Visual Studio’s native support for WSL.) This is a much better solution than running a VM, or even a container. It’s incredibly convenient to hop into WSL, cd into the shared code directory, and build right from there. (As a brief side topic, I want to emphasize that we have found WSL to be the best available Linux environment for developers to test their changes in a Linux build. We run a script I wrote that also installs all the development tools and support libraries needed to build our server within WSL. All our server developers install WSL, using the distribution we deploy on. ![]() ![]() The Visual Studio Linux core debug workflow is enabled only if you install WSL or add a Linux connection to the Connection Manager. That’s why we are so excited to be able to utilize the new Visual Studio feature that lets us do just that in the familiar environment of Visual Studio! It really is not an exaggeration to say that this is a dream come true. We have always wanted a more intuitive approach for debugging our Linux cores. Since only 2 or 3 of our developers have much proficiency with gdb, they become the de-facto resource for diagnosing production crashes, and that’s not optimal. Putting it simply, our developers would much rather use familiar tools to debug. For one, we don’t deploy source with our binaries, so source is not available in a gdb session on a VM or container.Īnother hurdle is gdb itself: unless you use gdb on a very regular basis, you don’t retain a level of proficiency with it that makes it convenient for our use. But there are numerous disadvantages to this. There is the option to remote login to the VM (or more specifically the container) that crashed and run gdb to diagnose the crash there. However, this presents us with some challenges when a deployed server crashes and we want to debug the resulting core dump. There is nothing quite comparable in the Linux world, even if we were to develop natively in Linux. The other, and most important reason that we develop on Windows is the functionality and robust toolset provided by Visual Studio. Even our server programmers are most familiar with Windows development, and we appreciate the ability for all the programmers on our team to use a common toolset and knowledge base. For one, our team’s core competency is on Windows. There are multiple reasons for this workflow. (The code includes conditional compilation and custom platform-specific code where necessary). This includes our servers, which run on Linux. On Diablo IV we develop all our code on Windows and compile for multiple platforms. The following blog post is written by Bill Randolph, a Senior Software Engineer at Blizzard working on the development of Diablo IV. Blizzard is using Visual Studio 2019 to debug Linux core dumps on WSL. Therefore, these RFMs can reflect light like rough optical surfaces yet transmit light like smooth surfaces in a broad bandwidth. The random configurations only lead to the global random phase in reflection, which bestows diffuse reflection. The reciprocity principle ( 4– 7) and space inversion guarantee that these RFMs have distortion-free transmission despite the randomness. These RFMs are composed of random distributions of two types of metasurface blocks related by the space inversion (“flip”) operation. Here, we demonstrate a type of random-flip metasurfaces (RFMs) that may resolve this long-existing problem. The antiglare coatings ( 3) using textured surfaces or suspended particles can reduce the glare but always at a substantial trade-off in the resolution and clarity of the transmitted scene. The consequences of this dilemma are the glare and reflective images that generally appear on the glass and the screens of the display devices, which often cover the transmitted images and even hurt the eyes. Therefore, diffuse reflection and distortion-free transmission are usually incompatible. This feature, which originates from breaking the phase correlation between reflection and transmission by the metasurface, could enable a range of new optical materials and display technology.Ī rough surface causes diffuse reflection ( 1) and blurred transmission by destructing spatial phase coherence in contrast, a flat surface allows specular reflection ( 2) and distortion-free transmission with uniform distribution of phase difference. On the basis of complementary random arrays of gold nanorods, we verified this functionality by both optical spectroscopy and imaging experiments over a broad range of frequencies from the visible to the infrared regime. Notably, the metasurface reflects like a rough surface yet transmits like a smooth one in a broad spectrum. These metasurfaces have a globally random phase in reflection that leads to diffuse reflection, while the local space inversion and reciprocity principle ensure distortion-free transmission. ![]() ![]() Here, we merge the traditionally incompatible diffuse reflection and undistorted transmission by introducing the concept of random-flip metasurfaces made of randomly flipped components. Rough surfaces lead to diffused light in both reflection and transmission, thereby blurring the reflected and transmitted images. ![]() Short so I won't get mad about typing it a bunch of times and am less likely to type it wrong and meaningful so I won't have trouble remembering what it means when I come back to it a few weeks later.īut why didn't I just write "Number of kids = 2"? Besides being long, this would cause an error and Praat would not finish the script, because it has restrictions on what a variable name can look like. I've chosen a name that is short and meaningful. Hopefully it's easy to guess that this variable represents "number of kids". This isn't really required, but is considered good style and supposedly improves readability of your code. Another thing is that there is a single space on either side of the assignment operator.Its job is to take values and assign them to variables. It doesn't really mean "equals", it's actually called the assignment operator. We use the "=" sign, although there's a subtle difference between the way we normally think of it and the way it's used here.In Praat's language this is a requirement. Secondly, note that the variable (age) is on the left hand side and the value (34) is on the right.no easy answer to that now, hang in there. ![]() When I first started learning to program, I found it hard to know what parts in a script were made up by the programmer, and what parts were built-in Praat commands. It might as well have been asdfg (although that's a stupid idea). There are a few key details to note here. which means we've made a container named "age" and have filled it with the number thirty-four. In programmer parlance, we've assigned the number 34 to a variable called "age". Variables are essentially containers that hold information. We will do that soon, but I think that will be much easier to explain and understand in a more profound way if we talk first about variables and data types in PraatĪ fundamental part of programming is manipulating variables. A lot of tutorials at this point would jump right in and start showing you shortcuts to start Praat programming, but please resist the urge. Petrification is permanent once enacted and strips the victim of their consciousness, likening the sentence to traditional execution Luz states outright that being petrified would "kill" Eda. When carried out properly, however, the victim's remains are traditionally taken to a graveyard on the grounds of the Conformatorium to be displayed. The spell must be uninterrupted in its casting to be successful petrification can be resisted if it is stopped prematurely. After a brief charge, it fires a magical beam at its target, gradually transfiguring them to stone. The spell itself is then cast via a magical contrivance which is operated by an executioner. ![]() The ceremony is preceded by a drum-line courtesy of the Emperor's Coven and begins when the condemned is brought before the assembled crowd at the Conformatorium. She then storms off into the house, leaving Lilith outside and stares down at King as he scratches himself.The petrification of condemned criminals is a public event on the Boiling Isles, supposedly in accordance with the will of the Titan. If we want to be powerful again, we have to use glyphs perfectly! And we can only do that through *uses flash cards* "memorization", "repetition" and "following the rules".Įda: Well, I'm more interested in "experimentation", "innovation" and uh. Lilith: I can see your point of view, but we're still learning. Now if we want to be powerful again, we're gonna have to start thinking outside the box on this! Lilith: Edalyn, Darling said we're supposed to master the basics before-Įda: Basics are so. Maybe Light and Plants to make a blinding nut explosion? OH! Maybe Plants and Ice for an avalanche mixed with wooden stakes! Bye!Īs Luz went off, King stood up, cackling in pride.Įda: Yes! Teacher's gone! I wonder what other combos I can try. Luz: Uh okay, uh, King's in charge while I'm gone. Hooty: Toot toot! The Willow train is a-coming! Chugga-chugga! *nudges Luz forward* Besides, you can't really combine a fire and ice glyph like that, they cancel each other out.Įda: Ugh, you're as boring as your aunt, I'm tellin' ya. Luz: I know you're impatient to get your powers back, but try to master the basics before you start experimenting. Luz: I- I don't think that's such a good-Įda slaps on the glyphs, they siddenly started flashing, but it goes kapoot as a small explosion occurs and a small trail of smoke permiates.Įda: Oh damn, I was hoping for more of an ice blast situation. She goes over to Eda, where she see that Eda had used a pocketknife to carve the fire and ice glyphs overlapping together on the table. Luz: Yeah, just like that, Tia! That's really good! Let's see how you're doing, Mom. The raven woman holds up a diagram of an ice glyph, which Luz inspects and nods at Lilith: Miss Darling, did I do this right? ![]() ![]() But in any case, today we're learning how to alter glyphs to do specific things! Plus, ones like lightning and healing take a bit of time to perfect, so it could be a huge risk to try them out without practice. All of the glyphs I've discovered either came from nature or another witch's spell. Lilith: Are we about to encounter a never-before-seen glyph? Or perhaps learning about advanced glyphs? Luz: Okay, we have covered the first four glyphs I've discovered before the WWS came to be. Lilith cheering and clapping while Eda is carving something into the desk she's using. Scene cuts to the elder Clawthornes sitting in school desks Luz brought from Hexside. ![]() Luz: Light in the darkness, a glittering bridge of ice, the mightiest tree in the forest! You can make all these, and more, with glyph magic! Welcome to day 3 of Luz's magic boot camp!įire glyphs then ignite on the ground, though King was sleeping near one causing him to scream and run away when it goes off. Luz stands in front of a chalkboard, giving a lecture as she activates a multitude of glyphs. At the Owl House, Hooty smashes his face into a steel bucket 3 times, resembling a school bell ringing. |
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